after the original comes the remix. or in this case three. i:cube, chinaski and aera help you refresh your memory and re-draw drawn from memory from benjamin fröhlichs second part of the rude movements series. its one single track, but every remixer has taken his very own approach and came up with a new interpretation. the iconic french producer and permanent vacation long time favourite, i:cube, transformed the original into a soul warming and heart melting late night bomb that lets the sun appear even in the darkest places. chinaski out of frankfurt, well known from his releases on live at robert johnson and uncanny valley, fuses italo disco with a john carpenter-style soundtrack aesthetic and an infectious bassline completed by a full on guitar solo in the break. aera, fresh from releasing his album on permanent vacation, is slowing down the tempo, rearranging the layers of the original and adding a bubbly and underwater atmosphere that let the dub stabs shine. three different versions that may represent different memories of one long night.

the raw jacking sexiness of ghetto house has always played a big role in the killekill universe. so its high time to put out our first release which goes that direction. italian andrew soul is an artist we have been watching for a while already. when he sent the demo with the extremely raw and dirty tunes that you find on the a-side of this 12inch, the decision was easy: killer stuff which makes you bounce immediately we want to put this out! the b-side comes from dirtbox, who is also one half of snuff crew and therefore has been part of the killekill family for a while already. actually almost from the start. being the musical wizard he is, he can not only make house and acid music and anything else you could think of, but also class a ghetto house. maybe even more classic than andrew souls side but ranging from the percussive style of smmfd and work that to the raw energy of fukk it is definitely in no way less original. shake dat ass!

tenderness is four cuts of emotional dance music from super tuff label head, m. vaughan. with galloping shakers underpinned by a weighty sub-bass, the a1 cut moon river is a blue-eyed peak time anthem. turn around! is an a2 track with heavy duty low end and a tender pitch shifted vocalia wonky patchwork of melodies that sums to something reminiscent of early herbert. for the b-side, tenderness at 117 bpm is a soft, opening tune that serves up a breaky drums, liquid pads, and a well-placed harp solo. -when it all happens. is a dj aakmael inspired groover that leaves the ep with a driving kick, chunky moog bass, and a vocal sample wailing out from the pains of heartbreak. dont cry! get intimate with a brand new copy of m. vaughans tenderness from super tuff.

ultra tight & rare soul / funk stylings from mississippis natural high outfit. originally released in 1979 on the chimneyville label, an obscure soul imprint operating as part of the miami malaco label family tree. this one has it all lush strings and orchestration, tight as rhythm section, amazing songwriting and everything else in-between. amazing that this group only cut one lp and a handful of singles. the talent on display here is truly of another level and one wonders how such an album came to be. either way, this is an amazing set of rarest of rare grooves and the lp has been a heavily coveted item by the rare record cognoscenti in the past. this is a 100% legit repress, made in conjunction with the rights holders and remastered to the highest possible standard, a truly essential record for fans of quality underground soul & funk. now s your chance to bag a copy for a decent price! quality all around

manchester producer andy hanley has had one previous outing on ruf kutz but now hes adopted the haners alias to kick off the misadventures label with an assured grip of warm, discoid funk shot through with a healthy dose of 80s production finish. heaven is definitely the most dancefloor ready track a shimmering slice of laid back disco house with plenty of hooks and a dreamy, slightly dubbed out atmosphere. girl is more audacious, slowing the tempo right down and riding on a brittle beat and a heavily reverbed dose of island boogie. you keeps things slow and easy for the gentle part of the night a consummate smooth groover.

kontakt records returns with two slamming chord driven tunes and a bass heavy urban cut by berlin artist van bonn who produced these tracks while living in copenhagen. ctrls remix answers the question how a trippy and dubbed out version sounds like. limited clear and crisp blue vinyl.

berlin based co-founder of visionquest shaun reeves has gradually carved out his unique take of raw, minimalistic house music over the years via releases on dorian paics raum...musik, one records, his new shantu label alongside tuccillo and of course his own visionquest. here we see him pairing up with canadian duo maher daniel and amir javasoul who together as creatures of habit have been picking up attention from the likes of ricardo villalobos, zip, raresh and apollonia amongst others. here marking the debut of their collaborative creatures of shaun guise the duo offer up their mind over matters ep, the title-track leads and lays down mind bending, modulating percussion and synth swirls alongside bumpy bass grooves and hypnotic atmospherics whilst stirring in a tripped-out spoken word vocal sample to further fuel the psychedelic house feel. blink follows and tips the focus over to resonant subs, stripped-back organic percussion and murky vocal swells, again resulting in something mesmerizing and groove-led before out of orbit reduces things even further to refined shuffled hats, minute rhythmic modulations and snaking bass flutters.

desolats loco dice joins the roster of martinez brothers cuttin headz label this april with slammer, backed with a remix from detroit techno veteran dj t-1000. du&#776,,sseldorfs loco dice has long been one of the most respected figures in contemporary electronic music with releases over the years on leading labels like cocoon, cadenza, ovum and of course his own desolat as well as a heavy touring schedule taking him across the globe year in year out. here though we see dice offering up his new single courtesy of cuttin’ headz, a platform the martinez brothers and associates to deliver high octane, dance floor focused house and techno. the original mix of title track slammer leads with spiralling brass like bass tones, flute licks, shuffled shakers and resonant synth hooks running alongside a bumpy bass line and an amalgamation of heady, processed vocal lines. following is detroits dj t-1000 stepping up on remix duties, stripping back the aesthetic of the original to lay focus on robust rhythms and various vocal refrains from the original whilst chugging bass and tension building atmospherics gradually unfold throughout.

relaxers fifth ep is the final edition in the self titled series that began in early 2016. th six tracks are split between viscous, serpentine techno and liminal, dubbed out beatless passages. my reminiscence opens with a shivering groove and a terror-soaked atmosphere before giving way to the more monolithic wormholing of headache. stevie and blister pack drift further afield from the dancefloor, rippling and reforming. each side is closed out with a brief passage: empty promises and health is wealth are evocative and fleeting snapshots.

chris romans has been rolling out crucial electro jams for a number of highly regarded labels since the early 00s. amongst them are touchin bass, shipwrec, frustrated funk and central processing unit, so that tells you everything you need to know about the level he s operating at as 214. now he comes to 20/20 vision with some body-poppin jams of the highest order, broadening the tech house label s remit to embrace the thriving electro scene with one of its most vital practitioners. potential events is a brooding, atmospheric affair while windeye draws on a more playful, detroit indebted palette of sounds. radioactive man remixes windey- with a steady, finely detailed approach, and then back to sine finishes the record off with another snappy salvo of funky drums and bubbling synths.

chris weeks has been building up the kingbastard catalogue for a long time now, generally taking a self-reliant approach in the underground electronica scene where cd-r releases reign supreme. hes been a key figure on ambidextrous since the label launched back in 2008, and now he s committed to wax with a range of crunched up leftfield sonics for the machine-loving crowd. anxiety is a melodic cut with a house-minded structure, but theres a lot of production acrobatics and compositional swerves taking place within this framework. scatterbrain is more overtly out there, tapping up the kind of heavily processed sounds that producers like paradroid have championed in the past. data loss strike a heavy blow somewhere between dubstep and electro, and data ctrl ups the tempo for a rabble-rousing exercise in mind-bending machine music

soul jazz records’ latest excursion into the crescent city vaults delves deep into the roots and history of the voodoo world of new orleans funk. packed to the brim with serious break-heavy, heavyweight funk tunes from classic new orleans artists including eddie bo, betty harris, dave bartholomew, johnny adams and eldridge holmes (with the ever-present allen toussaint and the meters as always behind the scenes). there is also a host of rare cuts from a number of lesser-known second line new orleans artists, whose fame rarely reached past the walls of the city, including gus ‘the groove’ lewis, james k-nine, norma jean, bob french, chuck colbert, zilla mayes and joe haywood. comes as heavyweight 180 gram double vinyl, housed in a gatefold sleeve with download code included.

a warm welcome to detroit producer javonntte for his first quintessentials release. javonntte has been releasing his blend of pure deep house quality for years and his how is club246 is another fine example of his great talent. so how is club246? first of all the title is an hommage to a club in detroit in 1996. and javonnttes interpretation of club246 is diverse! the opening track has a slight kerri chandler flair, whereas club246 is a pure pumping club tool for all you djs out there. the b-side goes deeper. worldmix is a slow, deep (hell yeah) and hip hopish low bpm groover, whereas citylights is a classic vocal deep house track. club246? proper house music all night long!

a re-mastered re-release of fatima yamaha s debut album from last year. 180grams ... fatima yamahas first release a girl between two world (2004), including the masterpiece what s a girl to do has been lingering since it first came out. the story of what s girl to do is nearly as brilliant as the song itself. it took almost a decade until the world acknowledged the tracks brilliance. after being sampled by hudson mohawke on his 2015 album lantern and much demand, it is finally been reissued on magnetron music alongside dekmantel

limited lp on marbled red vinyl + dl card + riso printed, numbered (10 prints, 30 copies each) and signed artwork by sam scarpulla. eagerly anticipated debut album from the celebrated sound-architect jasper maekelberg. intelligent and adventurous psychedelic pop: a multicoloured fusion of sparkling percussion, crafting beats and tempting vocals.

rundfunk records presents: “kill gear”, the debut album by the eichler brothers. inspired by european and american cinematic music, “kill gear” honors the many great composers and compositions that characterise a bygone era in the history of cinema. the eichler brothers have re-imagined the late 60’s and early 70’s sound, creating an astonishing motion picture soundtrack that generates imagery which goes beyond an exploitation classic. pressing on black & orange mixed vinyl.

zodiak commune records presents the third release in the insectum serie with a brand new ep from yakh called “the earwig ep”. this french natural talent locked himself up in his studio for us. you’d better check out this one. nice experimental limited collector!

losoul returns to action with his first long player in almost ten years, and delivers a stunning collection of compositions for the hypercolour released island time. otherwise known as peter kremeier, the german producer has mesmerized us for many years with his organic and emotive house music, largely released on the influential playhouse label, but of late has seen him release singles for karat and tardis records, as well as his very own another picture label. fans of losoul wont be disappointed, as a diverse yet utterly familiar sound aesthetic pours out over the albums seven tracks in his own inimitable style. the jazzy broken beats of gold tooth shine with their micro-sample chops, whilst mean time is a dense and dubby slow stomp, teasing the drums with space echo and injecting sparse bass work where it matters. inventive, spongy house grooves are delivered on boppin lower and square down smoother whilst the album closer, lava in you is a master class in ambient sonics and shimmering keys over a lo-fi swinging groove. its been over 20 years since losouls signature single open door, and the german producer continues to pour out honest and rewarding music.

berlin-based pascal hetzel returns to caduceus records with a new slice of gritty industrial-tinged techno and finely tuned sound design. “noxious stimulus”, the ep’s title track, is a heavy peak-time filler with a mesmerizing bleepy modular sequence on top of rough monochrome beats. on her remix, rising talent denise rabe cranks up the paranoia and turns “noxious stimulus” into an unrelenting pitch black grinder. “pain tolerance threshold” starts off as hefty with yet another dose of metallic atmospheres and crushing modular sequences, until a bright pad appears out of the dark. proper techno goodness for the wee hours in your favorite warehouse. pressing on smokey green marbled vinyl.

remastered and resissued double a sider for soul aficionados, b boys and jazz funk lovers. both instantly recognisable across the generations, the a side sees a reissue of one of the most feel good records out there in express yourself. most famously sampled by the mighty n.w.a. in 89. whatever you do, do it good. on flip you get pure funk destruction in the form of the meters just kissed my baby. an insatiable, groove laden intro which has been prime sampling material throughout the years most notably in public enemy s timebomb. here s a chance to own two gems on one limited green coloured vinyl, with a large / dinked centre hole

best record italy came out with another obscure italian disco production from 1977 containing the fully extended disco versions of vibrations and baobab previosly available on the billy woost album like -one continuous edit-, but this time we have these two strong disco songs fully extended and in the right form!

45th year anniversary release coinciding with lamont doziers 2018 summer tour. one for the lovers and the ones that got away a real gem for any soul disciples out there. large / dinked centre hole pressed on blue vinyl.

sb editz returns! jad & the open up proceedings with a dubbed out balearic boogie bomb, with tender games taking the a2 intertwining infectious guitar licks and synth lines into a supercharged groover. on the b side swales incorporates a funked out bass and plucked riffs over the top of some sizzling percussion. finally label founders slothboogie close out the ep laying a tasty 303 line & weighty kick over floaty pads and a choice vocal snippet. 4 cuts, 4 artists, 4 winners!

it’s remix time! we open our vaults to let our favourite producers from round the globe play around with our releases. this is the first of 3 remix eps, with fantastic reworks by the hanseatic hedonism force of rss disco, the australian psychedelic vibes of dreems, the austrian psychedelic vibes of tight pants and the mexican dreams of sainte vie. tune in, drop out!

kingswood drive and accidental return were an early teaser of this new set. displaying their signature analogue sounds and arpeggios, alongside broken beats and soul, you wouldn t be alone in hearing the influences of dam funk, herbie hancock or bugz in the attic coming through on these two. elsewhere more jittery, playful rhythms underpin croydon rooftop café culture. as well as in the calming and ethereal prints on the heath, a subtle tribute to mutual hero prince, who passed away on the unusually prolific day this and two other, currently unreleased, tracks were written and recorded. throughout the ep the duo nod at their london home from the -heath- to kingswood drive and more obviously croydon itself. the sound of south london is threaded throughout this record with pride. even down to the mechanical sunset sound of ep finale thorns, capturing some of the essence of the studio view over london from their high point on the hill in thornton heath. the first ep from albert s favourites co-founders and synth-production duo modified man focused on throwing out heavy editing, recording music with as few processes as possible and grabbing performances as single takes. blending warped cassette recordings that touched upon early jazz-funk/brit-funk influences with the energy of broken beat and experimental electronica, won them support from patrick forge, osunlade, thris tian, yam who? and titeknots to name a few. since that release they premiered new track thorns live on boiler room, going on to deliver a full, three-hour live performance and dj set for the infamous global community. they also provided remixes for dele sosimi, amp fiddler, makadem & behr and hector plimmer, meanwhile, busily preparing a series of four, six-track vinyl eps which will be released over the next 18 months.

broken district is a new label launched by the creative minds of jus jam, momla and antwan. the project is born with the idea of exploring alternative music styles that blend the influences of the label s creators, including jazz, house-music, hip-hop, funk, soul, and experimental music. in order to give a global overview of the label s territory, broken district is kicked-off with a series of va eps. momla inaugurates the label s first release with an instrumental funk ballad. he is using soul samples, synths and an electronic piano to create a smooth vibe, led by a catchy bassline. up next, hip-hop producers yepes & plae casi are stepping out of their favourite field to incorporate house-music rhythmic elements over an old-school r&b flavour. berlin-based producer marian tone is closing the first side with a laidback, jazzy hip-hop instrumental. the other side opens with the copenhagen-based talent jeppe wolmer. -normal position- is a modern take on disco & boogie, with a rhythmic bassline and reverbing rhodes, ending with acid infused synths. concluding this first release, label s co-founder jus jam gives us another glimpse of his musical talent through a dreamy journey that blends house-music, hip-hop and jazz together. welcome to the broken district.

original copies of this beautiful chain reaction 7 inch have been changing hands for £500, so this is a true digger s delight. exceptional soul from the late 70s which hundreds before have attempted to license to no avail. lack of trust was a key issue in these pursuits, after say yeah was used in a b grade hollywood movie without permission, alongside record collectors cleaning producer harold sargent out of his original 45s before upping them on ebay for $1000 apiece. cue the good people at rain & shine, a non-profit organisation based out of new zealand, who have worked with chain reaction directly to license this incredible record properly - returning all net profits to the artists involved. it really doesnt get much better than this - spiritual stuff! comes complete with picture sleeve, pressed on black vinyl with a large dinked centre hole.

fast forward moving, spaced out swinging to stomping, tripping techno gem.

partition, appropriately produced by label owner deepak sharma is gritty and raw, centered on being a powerfully effective dj tool. it symbolizes a nod to the label s past and longevity but more so signals the future territory and modern world the imprint will reside in. to commemorate the memorable occasion, one of techno s most authoritative, important and reputable producers, developer of modularz distinction has provided two heavy-duty remixes. additionally, label staple yuuki sakai delivers an extraordinary remix to round out a historic release from hidden recordings.

two new tracks launching the new irvine welsh book dead mans trousers the final installment in the trainspotting series. the a1 is a hypnotic acid work-out with a trademark sound produced straight out of paranoid londons studio complete with renton s musings over the top. on the flip you re sucked into a dark tunnel of renton s mind, rocked by a chance encounter with begbie. haunting pads intensify the monologue before a pulsating heartbeat of a kick comes through underneath. hand numbered 12inch with hand stamped effect artwork.

the uk based label will offer up several releases throughout 2018 and yama music 001 perfectly sets the tone of what’s to follow. taking the lead here is ‘margaret made me do it’ which lays down woozy synth tones and modulating glitches alongside a snaking sub bass groove, shuffled minimalistic percussion and an amalgamation of contemplative spoken word vocal cuts to create a tripped-out opening to the record. ‘ddderlooon party’ follows and retains a similar aesthetic with swinging drums and ethereal atmospherics at its core whilst hypnotic, billowing synths ebb and flow dynamically across the composition, again creating something raw yet refined. then lastly to round out the package ‘moon boots’ tips the focus over to a more straight percussive groove and stirs in vacillating low-end pulses, murky, evolving stabs and mind-bending electronic blips.

for anma’s sixth outing we see a coupling of two remarkable talents from either sides of the atlantic, each taking two turns across a side of crisp wax. first up for the us side we have new york based trinidadian deep. personally mentored by chi-town legend ron trent and with his own unique vision of soulful deep house, he has imparted us with two deeply immersive cuts of intense dance floor electricity, laced with his signature percussive club spirituality! for the uk flip, london based will lister is a name to watch out for, a young producer who can boast his first wax release being put out on phonica’s own house label! taking things down a notch on the pitch fader, will has provided two slow-mo jams that reward the attentive listener with his sensuous and detailed production style. building tension meticulously before releasing energy with aplomb and polishing things beautifully with his class jazzy flair. lovingly pressed on 180g vinyl, hand stamped and labelled on a limited run.

the last installment of adam x s recently revealed long running mini series - the secret initiative- goes out with a huge bang. adam returns with two infectious ebm techno club cuts -cognitive circuits- & -incorporeality- paying hommage to the early 90 s frankfurt / dorian gray techno ebm sound which played a big role in adam s youthful musical upbringing.

the next release on moreaboutmusic comes from one of chicago houses best kept secrets, often name checked by legends such as mike dunn, marshall jefferson, glenn underground and tyree cooper to name a few. a dj and producer, hugo grew up during chicagos heyday, at one point living with mike dunn and tyree cooper, where they would spend their days producing and recording tracks on the 808, 303 and 909, along with any other equipment they could get their hands on. the on to another time ep showcases hugos talents, giving you two straight to the jugular acid tracks with in, out & in (part 1) and in, out & in (part 2) with the flip seeing the mood shifting slightly with the deeper vibe of on to another time, the ep finishes up with a cut up disco joint the beat goes creating a solid ep and an excellent introduction to hugo h

super rhythm trax is excited to unveil their brand new side label. bleeper, which will concentrate on a slightly tougher strain of techno. the first four releases are in production and will be enough to give you a strong idea of where the label will be going! first out of the gate are ford foster (unknown to the unknown/opal tapes) and frankie castle with bounce that, an ingenious ghetto house jam with a serious twist, backed with a jerome hill remix that strips the whole thing down leaving the bare ingredients to do damage on the dancefloor. also included are an instrumental version of the original, and the slo mo banger shake that.

desert island edits isn t just another re-edit label, but an outpost to turn forgotten disco, italo and balearic gems into brand new extended versions and modified remakes from the talented and elusive carlos cezaro. desert island edits no. 1 starts on a high with cezaro s mj s vacation which transforms rock with you into a 21st century balearic groover. warm chords, dreamy brass and a hypnotic bassline. this one has the right ingredients to move anyone from poolside to dance floor. over on side b, carlos takes on the 80 s soul classic sexual healing and constructs a low-slung groover with lush rhodes keys and ethnic hints, perfect for those lazy sunsets and warm evening sessions. keep an eye out for future limited releases from desert island edits as well as beach parties and guest appearances from ibiza to bali, spreading the desert island love throughout the globe. limited hand-stamped numbered copies...

one per customer! a three track remix package exploring the different styles of diva bitch in the remix. dj fett burger getting creative with a simplistic accapella based track that goes in and out of hypnosis exploring the freak side of simplicity. dj speckgürtel first out on the b side with a frankfurt style dance to house remix, that will keep you moving to the groove. and last out on the b side dj dog exploring underground house meets euphoria with an italo twist! a real solid remix package and a perfect follow up to diva bitch tracks out now on freakout cult!

way back then home taping dropped a release by an anonymous act called klic that turned out to be another moniker for a medlar production. now the imprint re-launch the original alongside a couple of mighty remixes by the tuff city kids in both acid and garage modes plus an extension and rework of the original vibes by dicky trisco that pushes the proper deep house meets disco button. all the remixes sit nice and proud alongside the still shining brilliance of the original cut

nyc label homage continues a hot streak with their third project from uk producer jvxta (pronounced jux-tuh). after an excellent debut on his label hardmatter, jvxta gifts homage with four ny-inspired deep house cuts. brawn is an immediate tone setter. the banging stand-out made waves overseas prior to it s online premier thanks to cinthie, who pressed it to dub plate and played it as the opening track at her boiler room set in berlin. the remaining tracks offer a look into jvxtas unique tastes, and listeners will find themselves lost in quick-fire deep jazz, dreamy 80s tinged house, and a rolling tribal cut that we wished never ended. serious selectors take note, homage is not messing around, and this is a project that you ll reach for again and again.

d marc cantus 2017 lp the lodge was a high point for the ever prolific us producer, not to mention a jewel in altered moods many pronged crown. now the label are revisiting one of the album highlights, s.e.g, giving the punchy chicago house jam another pressing before handing the reins over to a strong cast of remixers. the one and only larry heard plunges -s.e.g- into gorgeous, mystical realms of deep house spirituality like only he can, while altered moods boss malcom moore injects a different kind of spaced out energy to the track. then chicago skyway finishes the package off with a distinctive version that reaches for a light and airy headspace while keeping the drums punchy and effective.

danyb (of best-selling busted edits fame) returns with the next intergalactic instalment of jupiter dance... spring-boarding from the jupiter dance radio show, which takes a regular tour through the lesser known avenues of synth pop, space disco & italo here we have another three worked up renditions of awesome international obscurities yugoslavian synth pop a la league unlimited orchestra from the early 80 s shares a side with some wigged out italian synth-pop prog-rock. while the a reworks and overdubs a japanese locomotive synth shinkansen for strobe-lit commutes...

the debut record for low budget family dj cat aka ivan fomin, moscow local and ds bar regular showing his wide influence in different genres and styles by mixing them all together. a1 is gooey 80 s disco track featuring some recordings from a lost answering machine which gets less straightforward and more dubbed out atmospheric treatment from lipelis on a2 with a nice touch of flute by no other then maestro jimi tenor !. b1 goes to the totally different territory with a morning vibey breakbeat jam and it all rounds up with a 909 dubby slow jam on b2. and if you were wondering what s that track young marco and jamie tiller were playing lately and couldn t find out, we got you sorted. hold on, gigolo calling!

2023 repress - pablos eye is the science of studio pressure, when engineer becomes artist. appropriating left and right as well as front and back, pablos eye uses the mixing desk to examine and exhaust the possibilities of moments. pablos eye is a record of that examination and exhaustion, but it is also a record of its own inner space. by means of depth placement, psychoacoustics and spatial fug, pablo’s eye is experienced in the deeper reaches of the body, bypassing the conscious part of the mind entirely. . pablos eye is the turning of recorded music inside out to show its seams. it interrogates a song, stripping down the body of the song to reveal its bones. pablo’s eye is in the interstices of music, it plugs the gaps, fills the holes. pablo’s eye seeks out the concealed mechanisms, it is a songs hidden agenda. for this compilation, it was decided to present the softer air-beatings of pablos eye. more than anything, pablos eye is a temporary atmosphere, like a taste or a dream.

acid pauli and nico stojans ouïe label acts as home for left-of-centre music from disparate sources - somehow connected by a thread of hedonism with a melancholic edge. welcoming kerela dust to the imprint, this four tracker showcases the different dance floor shades the label always reaches. kerala dust are a london based trio that owe as much to tom waits as they do to four tet or dj koze, but somehow tread a fascinating line between genres and moods. mixing jazz, indie and the sharper end of the club sound, francescas frames is the perfect introduction to their vibe. ‘maria is augmented with a thick, mid tempo kick and sparse, effective percussion. the clever vocals provide the topping - showcasing the bands pop writing prowess. the track will appear as a single release on 6th aprila accompanied by a music video. acid pauli and nico stojans remix picks up the pace a little, while dubbing out the elements into deep, late night dance exploration. ‘nyla brings a new vibe, deep, pulsing synths and a bubbling baseline accompany the crisp, compressed rhythm track before eds iconic croon arrives to take the track to a new level.

contort yourself continues to explore the crossover between decrepit 80s industrial and the modern artists drawing inspiration from those heady, experimental times, and the results are as thrilling as ever. haydees no gouvernance is a brutal charge of drums and distorted yelps, while 1983 jam de omnibus dubitandum by hunting lodge fuses layers of distortion and proto acid with live bass and brittle drums. catriel lays out a sinister but seductive message on nbdymksmefeellowlikeudo, giant swan bring their raucous avant-techno styles to dare and then gotshell remix hunting lodge into a thunderous industrial techno charge.

following his work with swedish label comorbid records, stockholm native bård ericson aka boerd has signed with anjunadeep to release his latest mini-album, ‘static’. an accomplished musician, bård’s boerd project aims to reflect his own personal emotions and atmosphere. with a deft and delicate approach to composition, his music draws you in whilst shutting out the outside world. cutting his teeth from age 15 in the world of chiptune (composing via the means of 16-bit videogame consoles), bård quickly developed a taste for creating abstract music. and after a handful of eps and live shows across europe, he transitioned focus towards music that he felt better expressed his own place in the world. enter ‘boerd’. with influences ranging from burial, bibio and even aphex twin, the 26-year-old has developed a style that pushes the boundaries of atmospheric electronica with stunning attention to detail. building his sound from samples he records himself, ericson conjures a euphoric mix of subtle soundscapes that simultaneously breathe and play in awe.

claque musique kicks off another piece of beauty. “america”, joe montana’s iconic house jam from 1996, is back out now, after more then a decade, remastered and remixed from chicago house pioneers virgo four and the museri.

• the very prolific ryuji takeuchi appears on inner surface music
• limited black label release
• features a5 card insert in a poly sleeve

vinyl only. straight out of chicago with the pumping kick, elastic basslines and fierce hats unmistakeable from the windy city s legendary 90s house sound, new-generation dj/producer ed nine debuts on lisbon s based inner balance imprint.